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English Research Guide : Contemporary Media Products

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AUDIENCE THEORY

When you are developing a media text, it is important to identity your primary target audience and appreciate their values and ideologies. If you do not understand the needs of the end user, or know if an audience even exists for your product, your marketing strategy will be ineffective and your text will be less likely to succeed.

Since audiences are active consumers of the media, narrowing your focus to certain demographics can help you deliver your brand message or sell your product. Maslow’s Hierarchy of Needs is one approach to defining the audience and how they engage with a text.

What has this got to do with media texts?

It is very relevant to advertisers, and institutions that carry advertising – newspapers, cinema, television and radio stations, social media

Maslow’s upper levels at the top of the pyramid are all about self-esteem and gaining the respect of others. This can be linked to the idea that consuming particular media texts or buying certain products fulfills self-esteem. In practice, Maslow is suggesting that if you buy a new pair of sneakers of the right brand, as advertised, then you will feel better about yourself, because you have the respect of other people.

PASSIVE AUDIENCE

The earliest idea was that a mass audience is passive and inactive. The members of the audience are seen as couch potatoes just sitting there consuming media texts – particularly commercial television
It was thought that this did not require the active use of the brain. The audience accepts and believes all messages in any media text that they receive. This is the passive audience model.

The Hypodermic Needle Model

In this model, the media is seen as powerful and able to inject ideas into an audience who are seen as weak and passive.
The hypodermic needle was proposed by Harold Lasswell in the 1920s. Also known as the ‘Magic bullet theory’, it explains how the audience is directly affected by what they view and hear. It is said to affect the audience/viewer immediately or in the near future. 
It suggests that a media text can ‘inject’ or 'fire' ideas, values and attitudes into a passive audience, who might then act upon them. This theory also suggests that a media text has only one message which the audience must pick up.This theory suggests that the audience is powerless towards resisting the impact of the message which, in some cases, could be dangerous. 
This theory stems from a fear of the mass-media, and gives the media much more power than it can ever have in a democracy. Also, it ignores the obvious fact that not everyone in an audience behaves in the same way

Cultivation Theory

This theory also treats the audience as passive. It suggests that repeated exposure to the same message – such as an advertisement – will have an effect on the audience’s attitudes and values. For example, if we watch lots of crime shows and see reports of public disorder on the news bulletins every night, we will begin to worry that violence is having a dangerous impact in our own neighbourhoods. 

Two Step Flow Theory

This theory  assumes a slightly more active audience. It suggests messages from the media move in two distinct ways.
 First, individuals who are opinion leaders, receive messages from the media and pass on their own interpretations, in addition to the actual media content. The information does not flow directly from the text into the minds of its audience, but is filtered through the opinion leaders, who then pass it on to a more passive audience.
The audience then mediate the information received directly from the media, with the ideas and thoughts expressed by the opinion leaders. They are not being influenced by a direct process, but by a two-step flow.

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ACTIVE AUDIENCE

This newer model sees the audience as individuals who are active and interact with the communication process and use media texts for their own purposes. They are producers and consumers.
We behave differently because we are different people from different backgrounds with many different attitudes, values, experiences and ideas.
This is the active audience model, and is now generally considered to be a better and more realistic way to talk about audiences.

Uses and Gratification Model

This model stems from the idea that audiences are a complex mixture of individuals who select media texts that best suits their needs – this goes back to Maslow’s Hierarchy of Needs.

The users and gratifications model suggests that media audiences are active and make active decisions about what they consume in relation to their social and cultural setting and their needs.

This was summed up by theorists . This means that audiences choose to watch programs that make them feel good (gratifications), e.g. dramas and sitcoms, or that give them information that they can use (uses), e.g. news or information about new products or the world about them.

Stuart Hall’s Reception Theory

Reception Theory is an active audience  theory that looks at how audiences interact with a media text taking into account their daily life. 

This theory was put forward by Professor Stuart Hall  and suggests that social and daily experiences can affect the way an audience reads a media text and reacts to it. Hall suggests that an audience has a significant role in the process of reading a text, and this can be discussed in three different ways:

  • The Dominant or Preferred Reading. The audience shares the code of the text and fully accepts its preferred meaning as intended by the producers.
  • The Negotiated Reading. The audience partly shares the code of the text and broadly accepts the preferred meaning but can change the meaning in some way according to their own experiences.
  • The Oppositional Reading. The audience understands the preferred meaning but does not share the text’s code and rejects this intended meaning. 

 

INTERACTIVE AUDIENCES

The internet has opened up new ways to receive and interact with information. We can ‘read’ texts that are downloaded to our computers, or mobiles, or watch TV-on-demand . We can access music and film wherever we are with an Internet connection. We have access to media 24/7.  

A prosumer - people who produce many of their own goods and services, a term coined by futurist Alvin Toffler. It applies to the fact that we can create our own media and contribute, generating our own audiences. The real power of the audience seems to lie in being able to take part in a media text. 

In the realm of New Media  audiences are creating their own distribution systems without mediation from institutions or companies. Websites such as YouTube, Instagram, and  TikTok to name a few offer new possibilities for audiences. New technologies have changed how music is made, there’s no longer a need to spend money on renting a professional studio for a few hours at a time, you can create and publish music from your bedroom.

Social media websites take the underlying idea of the prosumer, and use it in a way that both benefits the producer and the consumer. While they are may be provided with a pre-produced product, the prosumer still feels as if they are in control because they are the ones providing the content. We are seeing a merging of the old and new relationships between the author and the audience, as each party still holds a traditional role, while at the same time venturing into new territory.